The ancients considered temples as not only Devamandirs, but
also as Vijnanamandirs. They knew that God can be attained by
Service, done consciously and with full knowledge of meaning. They
felt that temples are Academies of the higher learning where man
developed the real culture of the mind. They knew that the House
of God in the heart of Man will be as clean and holy as the House
of God was, in the hamlet where he lived. You can guess the nature
of the inhabitants of a village by simply observing the village
temple and its environs. "If the temple is kept clean and with
holiness in the atmosphere, you can infer that the pure villagers
are full of the fear of sin, that they walk along the path of
Goodness" so thought the ancients.
Such Divyajnanamandirs, such Atmopadesaalayas, such
Institutions of Spiritual Inspiration, have today degenerated into
places where 'offerings' are distributed, and picnic parties
revel. Idlers gather in the precincts and play cards or dice or
such other games. Kalipurusha sports in glee when such groups
gather in the temples.
This is contrary to Dharma. The temple is the heart of the
village; it should therefore be preserved, nourished, and nursed
as befits the heart. Believe that God walks about in the temple;
it is His Residence. All have a responsibility to preserve the
holiness of that atmosphere, which confers the joy of serving the
Lord. Believe that the temple is the heart of all. The day this is
done, the Madhavathwa in man will shine forth as a jewel. This is
the Truth, this is the reason, for all the cost and pain incurred
in the construction of temples. Village authorities or Government
agencies or Bhakthas themselves must make all arrangements needed
to develop spiritual discipline and wisdom. Then only can man
shine forth in divine splendour. This is not all. There are some
ultra-modern critics who condemn the Gopuras etc., as so much
waste of money. This reveals a total absence of far-sightedness;
no one with a high ideal or an upward vision will make such a
remark. If you dwell upon the significance of the Gopuram, you can
realise how holy, how mysterious, how revealing, is its purpose.
The Gopuram beckons to wayfarers who have lost their way, and who
wander away from truth, "O ye mortals! Blinded by the fog of
physical attachments and self-aggrandizing urges, overcome by the
miasma of worldly desires which are fleeting and false, you have
forgotten Me, the source and sustenance of you all. Look up to
this eternal, ever pure, ever full tower of joy. Forgetting Me,
you are wallowing in grief; you are pursuing the mirage in the
desert sands. Come; have faith in the Ever-lasting Me. Struggle
out of the darkness and enter the realm of Light, and come to the
royal road of Santhi, that is the Path of Dharma. Come, Come, O
Come."
Thus does Gopala call on all, with raised hands from aloft the
line of house-tops in every village.
So, when seen through this more elevated insight, gopurams can
be respected as conducive to the raising of human ideals and
conduct. This is the principle underlying the construction of
gopurams. Such high ideals inspire these structures. This is the
true meaning, a meaning which can be experienced and felt. The
light on top of the gopuram is the symbol of the Light which is
the refuge of all, it is the representative of the unflickering
inner lamp, lit at the self-same Flame; it is the Inner
Illumination, gained by merging in Hari.
Temples are as oases in desert wastes, for those who have lost
their way in the hot sands of grief and greed, they are
Prasanthimandirs, Santhoshasadans, welcoming you to cool joyous
Peace. The gopurams are guides to stricken wanderers; they hold
aloft the Flag of the Name of God; all should be thankful to them
for the service.
Really, many dull-witted moderns are puzzled at the purpose of
all the constructions and conditions, conventions and customs,
that revolve around the temple. They cannot grasp the significance
of any reply that is beyond their limited understanding. A patient
suffering from high fever will find even sweet things bitter; so
too, those afflicted with the high fever of worldliness can never
taste the real sweetness of truth. The fever must subside; then,
they can appreciate the value of things of the spirit.
What is the goal of human life? What is the objective that man
must realise? Is it just eating, drinking, sleeping, tasting a
little joy and grief and finally dying, like any bird or beast?
No, certainly not. A little thought will reveal that it is not so.
The goal is Brahma-Sakshathkara, the realisation of the Absolute,
of Brahmam! Without that, no man can attain Santhi. He must win
that Bliss of Divine Grace. However much one strives to extract
happiness from the multiplicity of worldly things, the quantum of
satisfaction is very little; as for Peace or Santhi, one finds its
impossible to get it through things of the world. The mind can
have Santhi only when it merges in the Absolute Consciousness, the
Primal Cause, the Unchanging Existence.
Even the most comfortable house, equipped with all the luxuries
man craves for, even heaps of treasure, are helpless to endow one
with Santhi. That can be won only by surrender to God, who is the
very core of one's being, the very source of all life and living.
Consider this: Are those lucky enough to possess wealth, gold,
property and comfort having Santhi? Nor is this all. Are men
highly learned, persons of extraordinary beauty, of super-human
physical strength - are these at least at peace with themselves
and the world? What is the reason for the misery of even these?
The reason is: they have forgotten the Divine basis of
Creation, they have ignored the one Absolute Underlying Principle.
All lives, lived without Faith, and Bhakthi to the One Supreme
Overlord, are despicable; lives spent without tasting the Nectar
of the Divine Principle are all wasted chances.
It is really a strange turn of events...! Your Genuine basis,
the Fountain of your joy, your Ultimate fundamental, the
Paramartha Principle has become for you something outside and
beyond, unnecessary, unsought for; the world with its tinsel
tawdriness has become near and native, necessary and desirable.
Denying themselves the bliss derivable from surrender to the
Lord, men madly run about in the name of Bhakthi, pursuing sacred
spots, sages and sacred rivers. A modicum of genuine Bhakthi will
awaken them from this delusion. It will teach them that man can
obtain Santhi only by returning to one's native home, viz., God.
Until then, homesickness will haunt him.
Temples are invitations to that home, signboards directing man
there. On one occasion, Sri Ramachandra spoke thus to those
assembled to hear Him on the Chitrakuta Hill: "Dawn breaks and
dusk falls. With dawn, greed awakens in man; with the dusk, lust
gets hold of him. Is this to be your way of life? Is this to be
your goal? With the passing of every single day, man has wasted
one precious chance. He has taken one more step towards the Cave
of Death. But does he ever bewail his lot? Does he sorrow over the
wasted day?" Note, how worthy of remembrance this message is!
It is because of such reminders that the culture of
Bharathavarsha has God as its central theme. "Bha-ratha" means the
land that has "rathi" or attachment to Bha-ga-vaan or God. If
westerners renounce everything in their single-minded devotion to
the discovery of the laws that govern the objective world, here in
Bharathavarsha men renounced everything for the discovery and
experience of the Absolute, which is the Prime Cause of the
Universe and which, if known, confers unshakable Santhi.
Westerners renounce for the evanescent; here, the renunciation
is for the Eternal. This is for Vijnana, theirs is for Ajnana.
This is Thapas, theirs is Thamas. That is why even today, the
splendour of the rishis, sages and yogis shines through the
corridor of centuries on the faces of men; if sometimes the
shadows of despair, despondency and discontent flit across those
faces in this land, it is a forewarning of the decline of faith in
Dharma itself.
Temples are intended to instruct men in the art of removing the
veil of attachment that lies over their heart. That is the reason
why Thyagaraja cried in the temple at Tirupathi, "Remove the veil
within me, the veil of pride and hate". The fog of Maya melted
away before the rays of Grace and so, he could discern and
describe the image of Divine Charm in the song, "Sivudano
Maadhavudano" and drink deep the sweetness of that Form. The
churning of his heart by the Divine Formula produced the spark of
Jnana, and it grew into the Flame of Realisation.
Not only in this Kaliyuga but even in the earlier yugas, the
Kritha, the Thretha and the Dwarpara, Namasmarana has been the
secret of liberation from bondage. The temple is the place where
Namasmarana is natural and automatic and undisturbed. Therefore,
going to it is imperative, especially in the Kali age when the air
is full of wicked and ungodly thoughts.
That is the reason why in the Gita, Krishna has declared that
"Among Yajnas, I am the Namayajna" the Yajna that has the
sacrificial beast offered in the sacred fire, the animal Ajnana
itself. For the cure of grief, for the earning of joy, temples
where the Name of God can be remembered are very essential. "For
Bliss, Smarana: For Smarana, temples", that is the series. There
is nothing more fruitful than this, more blissful or more
charming. "Having the greatly simple Name, the ever available
Tongue, and the Temple where His Enchanting Image is installed so
that you can sing His Glory in an exalted Voice... why should man
hasten towards the gates of hell?" wondered Vyasa. His wonder was
born out of his own experience of the efficacy of the Name and its
Smarana. So too, Tulsidas! He lived constantly in the temple and
sang of the joy he tasted. "Alas! When men give up the name and
the Temple, and seek peace and joy in other places, I am reminded
of the foolishness of those who forsake the rich and tasty fare on
their plates and beg with outstretched hands for the leavings on
others' plates", he lamented.
Even in Vedic Discipline, the Name and the need to make the
mind stay thereon are emphasised as of utmost importance. "Om
ithyekaaksharam Brahmam", "Om - that One Word is Brahmam" declare
the Aryan Rishis. Examine, if you like, whether any Saint was
saved, without the Name of the Lord or the House of the Lord! For
Gouranga, the Jagannatha-mandir was the inspiration and the
refuge. For Jayadeva, it was the Radhakrishnamandir. For Nandanar,
it was the Temple at Chidambaram which provided the source of
Realisation. Vallabhacharya, Kabir, Nanak, Meera, Radha, Ramanuja,
Madhwacharya, Sankaracharya, Namdev, Tulsidas, Thyagaraja all
attained Divine Vision and what is more, Divine Wisdom itself, in
and through temples. What need is there to dilate more? Even in
recent times, was it not in the Kali temple built by Rani Rasmani
that Ramakrishna Paramahamsa tasted Divine Bliss and discovered
his identity?
To misuse such temples, to spoil the sacred atmosphere of their
precincts, to forget their holy mission, to decry the conventions
and customs prevalent there, and to pave the way for their decline
and desecration - this is undoubtedly Adharma, and not Dharma.
Those who do these things have neither inner nor outer light; they
are in utter darkness. Temple-worship, the company of sages, the
recital of the Name, the adoration of the image or symbol - these
are external sources of Light. Dhyanam, thapas, manana - these are
the sources of inner illumination. Devoid of both, how can men
experience the vision of Divine Glory?
No wonder Thulasi Das Goswami once declared: "Do you require
light inside the house as well as outside? Then place the lamp on
the doorstep! So too, do you desire to spread the illumination of
Santhi outside yourself as well as inside? Then place the Name of
the Lord on the tongue, which is the doorstep of your personality!
The lamp on the tongue will not flicker or fade or be put out by
any storm. It will confer Santhi on you, as well as on all whom
you meet, the entire world".
Therefore, for the salvation of the individual evoke the Vision
of the Form. The very memory of the Name will evoke the Vision of
the Form. That Form, in all its enchantment and glory, is depicted
in temples for the inspiration of the aspirant and so, whether the
ordinary eye sees it or not, the seekers of the Atmic truth find
temples indispensable.