1.
Incarnation, 1926-1940
This is
the Story of the Lord come in human
form, incarnated at a quite little
village, Puttaparthi, in 1926. Born to a
quiet, pious and contented couple, Sri
Pedda Venkama Raju and Mother
Easwaramma, and christened
Sathyanarayana Raju. Bhagawan Sri Sathya
Sai Baba is now worshipped as 'God
Incarnate' and adored as 'Loving
Divinity' by millions across the globe.
Signs of The Descent
Mysterious indications of the impending
incarnation occurred in Pedda Venkama's
house. For example, there was the twang
of the tambura! Since the brothers and
the father were all interested in the
village operas, there was a
substantially big tambura and a Maddala
or drum. As the birth of the Son for
whom Mother Easwaramma prayed, announced
itself as imminent, the house was
awakened at midnight, and sometimes even
later, by the tambura twanging
automatically, and the maddala beating
rhythmically as if an expert Hand was
handling it! One Sastri, whom Pedda
Venkama Raju approached for an
explanation, said that it was an
auspicious occurrence: it meant the
presence of a Shakthi, a beneficent
Power, conferring Harmony, Melody,
Order, Symmetry, Spiritual Elevation and
Joy.
The Sun rises above the horizon!
On the 23rd day of November 1926, the
son was born. It was the time of
sunrise; and, the villagers were
chanting the names of Shiva, remembering
that the day was still Karthika
Somavara, a Monday of the Holy Month of
Karthika, devoted to the puja and
worship of Shiva. That day was made even
more auspicious for Shiva worship,
because the ascendant star was Ardra and
on such rare occasions when the month,
the day and the star coincide, special
pujas are performed in the temples of
the Lord. The year was Akshaya, the
Never-declining, the Ever-full.
The Mother had also just finished, in
some hurry of course, her Sathya
Narayana Puja in accordance with her
vows, for, even while she was going
through the final rituals, the pangs
forewarned her. When Easwaramma
announced the pangs, word was sent to
the mother-in-law, Lakshamma, the pious
lady of the house; but, it became known
that she had gone to the house of the
priest to perform the Puja of Sathya
Narayana; the messenger discovered her
there and urged her to return; but she
was so confident of the Grace of Sathya
Narayana, so steadfast in her devotion,
so disciplined in her religious
adherence, that she refused to be
hustled! She sent word that she will
bring with her to Easwaramma the sacred
offerings after the Puja and that, on no
account would she interrupt her prayers!
She finished the entire ritual with full
concentration, came home, gave her
daughter-in-law the flowers and the
sacred water Easwaramma partook of the
blessings of the Lord. Next moment, the
Lord was born; And the Sun rose above
the horizon!
Sathyanarayana Raju
Indeed the village, which bears the
name, Ant-hill Prosperity, gave the
child an appropriate welcome! A snake
was there lying in the room! The women
did not notice it for long; but, when
the baby, laid on a bed of clothes, was
being moved up and down in a peculiar
way by something underneath, they
watched with bated breath and when at
last they searched, they found a cobra
below the bed! The snake was acting the
role of Sesha to the Seshasai!
The baby was charming beyond
description, and, no wonder! For, it had
even in the cradle all the Yogic
Siddhis, which Pathanjali says come
along with birth itself. Baba has
declared that He knew even prior to His
Birth where He would be born; He has
said that he was born with all the
miraculous powers, which He is later out
of His own will, manifesting one by one,
as and when He feels each could be so
announced. It must therefore follow that
the baby had a halo of splendour around
its head, that its smile had an
other-worldly beauty and a heavenly
power to captivate the heart.
The baby was named Sathyanarayana, since
the relationship between the puja to
that God and the realisation of her
cherished desire seemed to the Mother to
be very important. When the Namakaranam
(Naming Ceremony) was performed and the
name was whispered in the ear; it seems
the baby smiled, for the suggestion to
give that name must have emanated
unobtrusively from Itself! How else can
we explain the fact that the first
requisite for spiritual advancement, now
propounded by Baba, is Sathya itself?
The embodiment and exponent of Truth
could not give Himself a more
appropriate name.
Raju - "The Brahmin Child"
The Divine child became the pet of the
entire village of Puttaparthi and the
ryots and cowherds vied with each other
in fondling it and feeding it and
playing with its lovely silken curls.
Its charming smile attracted every one.
The fragrance of the jasmine bud filled
the air. Like a lighted lamp, Sathya
moved about the house and laughter
tinkled in the street when he lisped his
sweet vocabulary of sounds.
He kept away from places where pigs or
sheep or cattle or fowl were killed or
tortured, or where fish was trapped or
caught; he avoided kitchens and vessels
used for cooking flesh or fowl. When a
bird was selected and talked about by
someone in connection with dinner,
Sathyanarayana the little boy, would run
towards it and clasp it to His bosom and
fondle it as if the extra love He poured
on it would induce the elders to relent
and spare the fowl. He was called by the
neighbours, "Brahmajnani" on account of
this type of aversion and this measure
of Love towards creation. At such times,
the boy used to run to the Karnam's
house for they were Brahmins and
vegetarians, and take the food offered
by Subbamma, the aged lady residing
there. So distinct was his behaviour
that a wag once nicknamed him "the
Brahmin child"! Yes, it was a fitting
description. Little did that wag know
that, while in the previous body, this
child, so laughed at now, had declared
at Shirdi "This Brahmin can bring lakhs
of men on the White path and take them
to their destination!"
Charity begins at Home
At the tender age of three and four,
"this Brahmin" behaved as if it had a
heart that melted at human suffering.
Whenever a beggar appeared at the door
and raised his cry, Sathya left off play
and rushed in, to force his sisters to
dole out grain or food. The adults were
naturally irritated by the endless
procession of outstretched hands; they
easily lost temper; they sometimes
shouted the beggar off, before Sathya
could bring relief; this made the child
weep so long and loud that only by
bringing the dismissed beggar back could
the elders stop the wailing. Sometimes,
in order to put a stop to what the
elders thought 'this expensive and
misplaced charity,' the mother caught,
hold of the child and with a finger
raised in warning, she said, "Look here!
You may give him food; but, mind you,
you will have to starve." That did not
daunt the child; he used to run inside
and bring out food to the hungry man at
the door; and stay away from dinner or
lunch, himself. Nothing and nobody could
persuade him to come to his plate, which
was left untouched! When Sathya began
running about in the street, he sought
out the maimed, the blind, the decrepit
and the diseased, and led them by the
hand to the doorstep of the parents; the
sisters had to discover from the store
or the kitchen some grain or food and
put it into the beggar's bowl while 'the
little master' looked on, gladly.
There is a small primary school in the
village of Puttaparthi, and Sathya used
to go there with his contemporaries, for
something nobler than learning to spell
and scribe. The school had at that time
an interesting scheme of punishment to
ensure punctuality. The lucky child
which first comes in and salutes the
teacher, as well as the fellow who gets
in second, are exempt from the
punishment; but every chap, who for
whatever reason, legitimate or other,
arrives late, is given a taste of the
cane, the number of cuts depending on
his place in the list of late-comers,
the later the larger. In order to escape
from this torture, the children gathered
under the eaves of the schoolhouse, much
before sunrise, in rain or in fog.
Sathya saw their plight and sympathised
with his shivering playmates. He visited
them under the eaves and, bringing
shirts, and towels and dhotis from his
house; he covered the boys and made them
comfortable.
Jagath Guru
Suddenly, the two sisters discovered
that little Sathya was not at home; a
search was ordered; men ran about
frantically, for it was already past
midnight. But, attention was distracted
just then, by the arrival, outside the
door, of the bullock cart, with Sri
Rama! When the inmates of Pedda Venkama
Raju's house went to the doorstep, they
were surprised to see the five-year-old
Sathya sitting on the bullock cart,
nicely dressed and with evident
authority underneath the Picture! They
asked the companions why he was seated
there, on top, and not walking with them
on the road. Prompt came the answer, "He
is our Guru"! Yes & He is the Guru of
the children of all climes, and of all
ages!
Sathyanarayana was a precious child,
learning more things than any one could
teach him and much quicker than most; he
could sing all the songs and Sthotras
that were rehearsed at them for the
village operas, and he even composed at
the tender age of seven or eight, some
touching songs for the cast, which were
gladly accepted by them for public
presentation!
At the age of about eight, Sathya was
declared fit to proceed to the Higher
Elementary School, at Bukkapatnam, about
two and a half miles from Puttaparthi.
He had to trudge the distance in sun or
rain, over stony bunds or slushy fields,
or wading through neck-deep water, with
the bag of books, secured on the head as
the season dictated. He had to start
early after a meal of cold rice and
curds or cooked ragi-rice and chutney,
carrying in a bag the afternoon meal:
and, with his companions trekked
regularly to Bukkapatnam.
The Pandhari Bhajan Group
When he was about ten years of age,
Sathya formed in the village of
Puttaparthi a 'Pandhari Bhajan' group.
The group consisted of about sixteen to
eighteen boys dressed uniformly in gerua
clothes, holding each a flag in the hand
and wearing jingle-bell-anklets. They
all danced to the tune of picturesque
folk-songs and ballads, describing the
yearning of pilgrims for Panduranga's
Darshan, the ordeals of the
long-pilgrimage, their anxiety to reach
the shrine quick, their joy at the sight
of the pinnacle of the temple, etc, in
simple touching poetry. Sathya taught
the children these and other songs. He
added some Bhagavatha songs of his own
in which the Gopis complain to Yasoda of
the unceasing pranks of Krishna. Yasoda
chides the Boy for his thievery and
mischief, and Krishna pleads innocence.
With Yasoda and Krishna in the centre of
the circle and with the Gopis dancing on
the circumference, this was a great
attraction in the village. Baba himself
played the role of either the mother or
the child and his dance, dialogue and
music added to the charm of the Bhajan.
It was also noticed that he mixed up
with these traditional themes, songs on
a pilgrimage to a new shrine of which no
one had heard, and the majesty of a new
Deity of whom they had not even the
faintest idea, Shirdi and Sai!
Once, while a song describing the
prowess and achievements of Lord
Narasimha of Kadiri, as related in the
folk-lore of the area, was being sung,
and the line, "From out the pillar of
steel, the God as Lion jumped" was
recited by the group of the boys, Sathya
suddenly leaped like the Lion-man
Manifestation of the Lord, and His face
was transformed into such ferocity and
indignation and benediction that the
entire village frightened and, no one,
not even experts in wrestling holds,
could control the boy. At last, after a
number of people had offered Puja, waved
camphor, and broken coconuts before the
manifested Lord, Sathya became normal
and resumed the song of Kadiri. Another
intimation!
This incident spread the fame of the
Bhajan group, for when this group sings
and dances, God actually manifests
Himself, as the villagers of Puttaparthi
witnessed! Moreover, it was noticed that
when an infection of cholera swept like
a poisonous simoom over the area and
killed off entire families in the
surrounding villages, Puttaparthi did
not feel the blast of death; and wise
men told one another that the Divine
Atmosphere generated by the Bhajan group
was responsible.
The Scout camp at Pushpagiri
Sathya had to move to Kamalapur with his
brother Seshama Raju. His parents
planned to give Sathya a College
education, so that he might become an
officer! And, hence, they were prepared
to part with him and send him to far off
Kamalapur, provided his studies could be
continued.
Sathya too attended school regularly; he
was, in Kamalapur, as at Bukkapatnam, 'a
quiet well-behaved boy', the favourite
of his teacher. He sang the "Prayer
song", before the curtain went up, on a
drama in the town; and, those who heard
his sweet voice, spread the news that a
'fine musician' had come to town.
"Prayer songs" at functions like public
meetings became his monopoly thereafter.
Baba speaks even today of a Drill
Instructor, who commanded the respect of
the entire school by his unstinted love
for children. He was also the
scoutmaster and he was anxious to have
Sathya in his troop. So, he started
persuading the boy directly and through
his friends. There were two boys,
children of the Sheristedar, who sat at
the same desk and who were very friendly
with Sathya. They also pleaded with him
and even thrust a nice new pair of scout
shirts and knickers into the desk of
Sathya, so that he might join. They all
knew that Sathya will be the life of the
troop and, if he joined it; the elders
of the town too would agree to sponsor
it. Otherwise, they might mistake to be
'a group of idlers and do-nothings
intent only on hikes and dinners.'
Sathya joined at last, just in time to
proceed to the Fair and Cattle show at
Pushpagiri, to which the Drill Master
planned to take his troop. There was
work enough for the boys at Pushpagiri,
what with the huge crowds that gather,
the children that might get lost, the
supply of drinking water to the
pilgrims, the supervision of sanitation,
and the need to provide first-aid on the
spot, at the cattle fair. The camp fee
was fixed at ten rupees per boy. Sathya
did not have a pie!
He had to demonstrate that Sathya is its
own reward, that Prema will overpower
everything else; he decided that the
chance to teach and inspire his
companions should not be lost; so, he
determined to walk to Pushpagiri, thus
saving the bus fare. He told the drill
instructor that his people were coming
for the Fair and that they will look
after him. (Of course, the people who
come for every Jathara (Fair) are His
people!) And thus, he avoided the camp
mess and the charges he had to pay if he
had joined it. He calculated that five
rupees would be enough to see him
through at Pushpagiri; and, He gave the
set of books of the previous class which
he had seldom read and which therefore
were as good as new, to a needy boy and
took from him, not the twelve rupees he
offered, but just the five rupees he
required. Then he walked the distance to
Pushpagiri, reaching the place about 9
o'clock in the night, the day before the
Inauguration of the Fair.
He was physically very much tired and
with the bag containing his clothes and
the money, he slept on the sand of the
river, along with the huge concourse
that had already gathered there. The
next morning, when he woke up, the purse
had gone, along with the bag!
While describing these incidents, Baba
often tells those around Him that he was
not worried at all; but that he moved
about the place quite unconcerned and
found, on a stone trough, an anna coin
and a packet of beedies! He took the
coin, it seems, and proceeded to the
market place. There was a man there, who
sat in front of a contraption, promising
profit to men with luck! On a circle
drawn on a piece of black cloth in white
paint, he had some hieroglyphics; he had
attached some monetary value to a few
fingers and no value at all to the rest!
He had an iron rod, sticking up from the
centre and a movable needle on its top.
He asked his customers to place a coin
beside him and give the needle a quick
turn. If the needle stops on top of a
section which has a figure like 2, 3 or
4, he gives the customer double or
treble or four times the stake amount;
otherwise, he appropriates it.
Sathyanarayana went straight to this man
and, turning the needle a number of
times, and always with luck in his
favour, collected twelve annas! He says
that He could have secured more, but he
sympathised with the poor fellow whose
earnings were not much!
Those twelve annas sufficed him for a
week! Sathya entered enthusiastically
upon his task of inspiring his
classmates to do selfless social
service. Even today this is the central
theme of His teaching, service to others
being, as He says, service to oneself,
for the other is only oneself in another
form and under another name!
Sathya quietly slipped out of the camp,
when they proposed to take him back by
bus for he had not paid his share of the
bus fare. He walked back the whole
distance, as a matter of principle.
Sathya at Kamalapur was away from
parents; even his brother had gone to
undergo training course and so, whenever
he wanted some odd cash, he wrote as He
says, songs for the use of a merchant,
Kote Subbanna by name! Subbanna had a
shop, selling medicines, tonics,
glassware, articles of fashionable wear,
umbrellas, etc, and whenever he desired
to push a new article into the market or
boost the sales of some patent drug, he
caught Sathya on the road leading to the
school and gave him the necessary;
technical or other information. By
evening, Sathya was ready with an
attractive Telugu song, praising the
stuff in really good poetry, full of
swerve and lilt, capable of catching the
ear when sung in chorus by the band of
urchins, whom Subbanna hired for the
purpose. They used to march along the
streets, with name-boards in their
hands, singing the slogan-filled song of
Sathya and evidently enjoying their
task! Even now, Baba regales His
Bhaktas, now and then, by the recitation
of these old time articles tunes! Kote
Subbanna gave Sathya, in return for
these songs, which soon danced on every
tongue, the clothes, books and other
necessities.
"Do Deeds Follow Words?"
A word may be said about Sathya and the
dramatic activities of the school. Sri
Thammi Raju, the teacher in charge, once
asked Sathya to write and produce a play
in Telugu, and Sathya plunged into the
work very enthusiastically. The drama
was a great success, not only because
the hero of the play was a little boy, a
role enacted by Sathya himself, but,
chiefly because it had as its theme the
eternal sin of man, hypocrisy,
"Cheppinattu Chesthara?" was the title,
"Do deeds follow words?" to put it in
English.
The scene opens, revealing a lady,
reading out the Bhagvatha to a number of
other women, and explaining the meaning
of the slokas. She says that it is the
duty of the housewife to give charity to
the deserving, the defectives who cannot
earn by the sweat of their brow, and not
to the stalwarts who lead idle parasitic
lives. The woman disperse some time
later, and the lady is left alone with
her little son, who has all along been
an interested listener. Presently, a
blind beggar comes and makes much fuss
to attract attention but he is rebuked
and sent away. Then, there comes along a
hefty mendicant with a pompous paunch
and a polished copper vessel filled with
grain and richly caparisoned Tambura,
and the mother respectfully welcomes him
and offers him rice and coins, and falls
at his feet, asking for his blessings.
The son is nonplussed; he asks the
mother why she did not follow what she
had herself extolled a few minutes
previously and he is dismissed with the
curt answer, "Cheppinattu Chesthara? Can
we act as we say?." The mother is
irritated by the impertinence of the son
who dared question the ethics of adult
behaviour; she drags the boy to the
office room where the father, an Upper
Division Clerk in some Office, is busy
with the files.
He gives the son a big lecture on the
value of education and how people should
study and get promoted from class to
class, whatever the difficulties.
Suddenly, a schoolboy pops in and asks
just a rupee to pay his fees, for
otherwise his name will be struck off
the rolls and he will fall short in
attendance and he will not be promoted.
The father says that he has no money
with him and shows the boy his empty
purse as proof. A few minutes later, a
batch of young men, all clerks belonging
to his office, thrust themselves in and
hold out a subscription appeal calling
for contributions for a Welcome Dinner
in honour of an officer, taking charge
of their office in a few days! The
father is very jubilant at the idea,
says that it must be done very
aristocratically so that the new man may
be pleased, offers to make a speech and
pulling out the drawer of the table, he
gives them the huge sum of Twenty
Rupees!
The child looks aghast at this behaviour
and asks the father why he went against
his own words; why he uttered a lie to
the schoolboy; the father turns angrily
at the child, and says, "cheppinattu
Chesthara? Should deeds follow words?"
He roars at the child and commands him
to go to school, immediately.
The scene now shifts to the school.
Sathya, that is to say 'Krishna' of the
drama, enters school. The teacher is in
a storm of great excitement because the
Inspector of Schools is to visit the
school the next day. He coaches the
children intensively for the Inspector.
He tells them that the Inspector may
ask, "How many lessons have been done?"
And they were all to say, not "23" the
actual number, but, "32". He says that
he will do, when Inspector comes, lesson
number 33, on "Harishchandra"; so, he
teaches them that lesson, so that the
answers may come quick and fast the next
day; he threatens them with severe
punishment if any one so much as
whispers that lesson 33 was already done
in class. "It must all appear as if I am
doing it for the first time tomorrow,"
he says, and continues with the teaching
of Harishchandra's sacrifices for the
sake of Truth. When the class is over,
all other boys move out, but Krishna
alone remains behind; he asks the
teacher the question he has already
asked twice that day; "Why do you not
follow the advice you give?" and he gets
the same rebuff, "Cheppinattu Chesthara?
Do you mean to say that the adviser
should follow the advice?" Hypocrisy,
hypocrisy, everywhere!
The scene now changes to Krishna's home.
It is next day, school-time, but the boy
refuses to go. He throws away his books,
says that going to school is waste of
time, and sticks to his resolve, not to
study in school. The distracted parents
send for the teacher, who comes rushing
in. Then, Krishna says, "If all that you
teach, as mother, father and Guru is
only to be spoken and written, if all
that is learnt is to be discarded when
it comes to action, I do not understand
why I should learn anything at all."
This opens the eyes of all three and
they praise the boy as their "Guru," and
decide thenceforward to speak the Truth
and act the Truth.
This is the theme of the drama that
Sathya wrote at the age of twelve! This
gives a clear idea of the far-sighted
Intelligence and the Educational
Enthusiasm of the young Sai which is
ever unfolding.
Sathya was soon sought after by persons
who had lost articles of value, for he
had brought with him to Uravakonda the
reputation for an intuitive perception,
which revealed to him the place where
anything was! Baba says that in those
days, he used to give his friends only
the first and last letters of the names
of the persons with whom the lost
articles could be found. He left them
with their own resources to recover the
goods.
However, one case in particular deserves
some notice. A teacher lost a valuable
pen and he persuaded Sathya to disclose
the identity of the persons who had
'taken it without his consent.' Sathya
gave the name of a servant; but the
teacher dismissed the very idea, because
he was very faithful and 'honest'.
Besides, a search in the servant's room
when he was away did not give any trace
of his share in the loss of the pen.
But, Sathya persisted in his statements;
he said that the man had dispatched it
to his son, who was studying at
Anantapur, and offered to prove the
fact. So, Sathya got a letter written as
if from the servant (he was illiterate
and always indented on the services of a
letter-writer for his correspondence) to
his son, in which after enquiries about
health etc., the father asked how the
pen he sent was writing and advising the
boy to be careful in using it, For, it
was costly and might easily be 'stolen'!
There was also a self-addressed card for
reply. Within four days came the reply
into teacher's hand! The pen was writing
magnificently; it will be duly cared
for, with all the vigilance due to its
high price and its value as a present
from a loving father. Thus, Sathya's
miraculous power was vindicated; every
one honoured him.
Strange turn of Events at Uravakonda
On March 8, 1940, the whole town was
shocked to hear that a big black
scorpion had stung Sathya. There was a
belief current in Uravakonda and the
surrounding country that no one will
survive a snakebite or scorpion sting in
the place, because of the many-hooded
serpent stone that has given the name to
the place. The rock looks as if a
serpent has raised its head to strike
its fangs and hence, the dread
superstition has gained currency. It was
about seven o'clock, at dusk, and Sathya
leaped with a shriek, holding the right
toe!
No scorpion was discovered, however;
and, Sathya slept that night without any
sign of pain! Every one felt relieved,
only to become anxious once again, when
exactly at 7 p.m the next day, Sathya
fell unconscious and became stiff; he
would not speak and breathing appeared
faint. Seshama Raju, the brother and
others got alarmed; they inferred that
it must be the scorpion-poison that has
taken 24 hours to affect the heart. So,
Seshama Raju brought in a doctor, who
gave an injection and left behind a
mixture. Sathya was apparently
unconscious throughout the night. The
doctor came again in the morning and
declared that the boy was out of danger!
An incident happened in the night which
showed that Sathya was not 'unconscious'
but, that he was even supraconscious!
Some one suggested that Muthyalamma; the
Devatha near the Hill might be
propitiated, because the condition of
the boy might be due to some evil spirit
that possessed him. So, volunteers
hurried to the temple, got down a ladder
into the sanctum sanctorum, and offered
worship, placing flowers and incense,
and breaking a coconut. Just when they
did it near the hill, Sathya, who was to
all intents 'unconscious', said, "The
coconut has broken into three pieces,"
and when the volunteers came home with
the offerings, they had with them three
pieces, and not the regular two!
Sathya got up in a day or two and began
to behave in an extraordinary way. Baba
has said that He Himself initiated the
process of manifestation, for, He could
not wait any longer, playing about as a
mere boy, with 'brother' and 'sister'
and 'classmates' and other secular
bonds. He wanted to demonstrate, as He
said, that 'he was beyond both Visha and
Vishaya', unaffected by poison or the
objective world. There was no scorpion,
which could sting Him.
Meanwhile, Seshama Raju had informed
Puttaparthi about the state of things at
Uravakonda. He had written that Sathya
was not answering any one who spoke to
him, that it was a Herculean task to
make him accept food, that he was
spending the time mostly in silence but,
sometimes bursting into song and poetry,
sometimes reciting long Sanskrit slokas,
sometimes talking the highest Vedanta.
The parents took about a week to reach
the place, because of unforeseen and
inexplicable difficulties that caused
delay and increased anxiety.
Seshama Raju got nervous why the parents
had not arrived; he got a man who agreed
to travel to Anantapur on a bicycle and
from thence proceed to Bukkapatnam and
Puttaparthi; when he was describing to
the man the route he has to take to
reach his parents, Sathya interposed and
said, "Why, you need not send for them
now; they will be here in half an hour,"
and, true to his word, they came in,
exactly thirty minutes later.
The parents caught the infection of fear
at the condition of Sathya; he sang and
spoke and behaved in such a queer
manner, they thought. He also became
stiff, off and on, and appeared to leave
the body and go elsewhere. It was all so
mysterious.
One day, while Sathya was lying as usual
without any awareness of his
surroundings, he asked some one to bring
in the Sastri of the neighbouring house!
"He is reading the Bhagavatham all
wrong; he is explaining it the wrong
way. Go and bring him here", he
commanded; of course, the Sastri would
not come. "What does that brat know
about this Sanskrit Bhagavatham and the
right and wrong of the meaning which I
gave now to these people here? How did
he hear it, by the way? Tell him to mind
his own business," the Sastri had
continued his exposition. However,
Sathya persisted and so, the Sastri had
to come, at least to satisfy the
parents, who said, "Come and teach the
boy a lesson in humility. That will be
enough. He has become latterly too
uncontrollable."
When the Sastri arrived, Sathya asked
him to repeat the exposition and pointed
out to him where he had erred; and
poured out in quick succession, a series
of questions, like 'who is the father of
Vali?' 'When was Ravana born? 'Who is
Garuda's sister? Etc. that floored the
scholar. Finally, the Sastri fell at the
feet of Sathya and asked him pardon for
not obeying His summons immediately.
Divine Fortitude
Some one gave information to the worried
parents that there was a Sakthi
worshipper, before whom no evil spirit
dare wag its poison tail! He will cure
Sathya perfectly and make him fit to go
to school, they declared. So, the
bullock bandy was got ready, but the
bullocks refused to move! There were all
kinds of difficulties on the way,
sickness, fever, diarrhea, etc., at last
the place was reached and the 'case'
handed over to the famous expert in
devil-craft.
He was a gigantic figure, terrible to
behold, with blood-red eyes and untamed
manners. He tried all his craft,
sacrificing first a fowl and then a lamb
and making him sit in the centre of a
circle of blood. He chanted all the
incantations he knew. He did not allow
the parents to take away the boy, for he
assumed that it was a case entrusted to
him and that it was a trial of strength
between him and his Sakthic feats and
the little boy, smiling at his failures!
He even attempted desperate techniques,
which he dared not experiment even with
strong adult patients! For example, he
shaved the head of the boy and, with a
sharp instrument scored three X marks on
the scalp, from the top towards the
forehead. Sathya sat through the pain
without wilting. He asked later, "Even
after seeing all that fortitude and that
miracle of a little boy passing
unscathed through all that terror, you
are not now convinced that I am Baba;
how then would you have reacted if I
just made the announcement, one fine
day? "I wanted to make known that I am
Divine Stuff, impervious to human
suffering, pain, or joy," He said.
With the scalp injured and bleeding with
those markings, the witch doctor poured
on the open wound the juice of limes,
garlic, and other acid fruits. The
parents who were watching the
proceedings in utter despair were
surprised, for; there was not even a
tear, or a gasp of pain from the boy!
The Sakthi-worshipper was however
furious; he arranged that, everyday for
some days, early in the morning, 108
pots of cold water be poured on the
markings. That too was done; his armoury
was now almost empty. The evil spirit
that possessed the boy had not admitted
defeat and shouted that it will leave
him and go elsewhere! He beat the boy on
the joints with a heavy stick to drive
out-what he called, 'stag fever' when
moved about and 'rock-fever' when he was
quiet!
So, he decided to use his strongest
weapon, which the toughest spirit cannot
withstand, the "Kalikam". This is a
magic collyrium, a mixture of the entire
acidic abracadabra in the repertory of
torture. He applied it to Sathya's eyes
and the parents were aghast at the
consequence. The head and face swelled
beyond recognition; they became red and
the burning sensation could be 'felt'
even by those who went near. The eyes
exuded tears and the entire body shook
under the impact of pain. The master of
devils was happy that success was in
sight, that the spirit would soon take
formal leave. Sathya never spoke a word
or moved a finger. Those around,
especially, the parents and the elder
sister felt guilty that they had become
helpless onlookers of all this torment.
They wept in uncontrollable anguish and
tried to console Sathya, without the
knowledge of the magician, who did not
allow anyone to approach his patient.
Sathya was making some signs to them,
off and on, asking them to keep quiet.
By means of gestures, he told them that
he would get out of the room under some
pretext and he asked them to be ready
for him outside. There he told them to
bring a remedy he knew; it was brought
and applied to the eyes: the two eyes,
which had been reduced to the size of
thin slits, opened wide and the swelling
subsided!
The 'doctor' was put out by this
interference with the normal course of
his 'treatment'; he fretted and fumed
like a wild animal baulked of its prey.
"I was within an inch of victory", he
raved. The parents wanted to save the
boy from the jaws of that Yama in human
form; they had seen and suffered enough.
They paid him full fees and also gave
some unasked gifts, and thanked him for
all the 'learning' he had untilised;
they cursed only their fate; they
promised to build up the boy's stamina a
little more, so that he may stand up to
his wonderful course of exorcism and
bring him again, for the continuation of
his attentions. Somehow, they won! The
bullock-bandy moved away from the
horror-house. They reached Puttaparthi.
But Sathya was far from 'normal' yet. He
seemed another 'personality' frequently;
he recited Sthotras and poems far beyond
the ken of any teen-aged boy. Sometimes,
he evinced the strength of ten;
sometimes he was as weak as a
lotus-stalk; he argued with adult on the
correctness of their conduct and
behaviour and put them to shame when he
proved them wrong.
Some friend of the family advised that
the boy could be taken to a village a
few miles off, where a clever quack gave
some green leaves as a drug to cure
exactly such types of cases. The
bullocks were brought; the bandy was
ready. Sathya was lifted on to it and
the bells started jingling along the
fair-weather track. About half an hour
later, Sathya seemed to realise that he
was being taken somewhere; he said, " I
do not want to go anywhere; let us go
back", and, lo, the bullocks came to a
halt and could not be persuaded, in
spite of the most vigorous
tail-twisting, to take a single step
forward. The struggle went on for over
an hour; they refused to budge! Then,
their faces were turned homewards and
the bells jingled merrily once again.
Sri Krishnamachari, a Vakil friend from
Penukonda, heard of these occurrences in
the Raju house-hold and came to the
village to study the situation and offer
what help he could. He had a good look;
he pondered long, alone, on the
river-bank; then he told Venkama Raju, "
It is really more serious than I
thought; take him immediately to the
Narasimha Temple at Ghatikachalam; that
is the last chance". Sathyanarayana
heard his words. Suddenly, he turned
upon him and said, "Funny, is it not? I
am already there at Ghatikachalam and
you want to take Me to Me!" The Vakil
had no inclination to cross-examine.
I am Sai Baba
On 23 May 1940, Sathya rose from bed as
usual, but, after some time, he called
the members of the household round him,
gave them sugarcandy, and flowers taken
from 'nowhere.' At this, the neighbours
too rushed in. He gave them a ball each
of rice cooked in milk and the flowers
and sugar candy, concretised by a mere
wave of the hand. Sathya seemed to be in
a very jovial mood and so, Venkama Raju
was sent for, to come and see Sathya in
the welcome role. He came rushing in,
squeezing through the crowd; the people
asked him to go and wash the feet and
hands and face, before approaching the
Giver of Boons. This incensed him still
more; he was not impressed at all; he
thought it was a trick, hiding things
somewhere and producing them by sleight
of hand; at least, that was what he
confessed to Sri Kasturi, later. He
wanted that this chapter must be closed,
before it lengthens into a tragedy. So,
he laughed a bitter laugh and accosted
the boy within everyone's hearing "This
is getting too much; it must be
stopped." Arming himself with a stick,
he moved a step nearer and threatened to
beat it out of him. "Are you a God, or a
ghost of a madcap? Tell me!" He shouted.
Prompt came the answer, the
Announcement, that had been held back so
long, " I am Sai Baba."
Further argument became impossible.
Venkama Raju was stunned into silence;
the stick slid from his hands. He stood
staring at Sathya trying to grasp the
implications of that announcement, " I
am Sai Baba." But, Sathya continued, " I
belong to Apasthamba Sutra; I am of the
Bharadwaja Gothra; I am Sai Baba; I have
come to ward off all-your troubles; keep
your houses clean and pure." He repeated
the names of the Sutra and the Gothra
repeatedly that afternoon. The elder
brother, Seshama Raju went near him, and
asked, "What do you mean by 'Sai Baba'?"
He did not reply, but only said this
much: "Your Venkavadhootha prayed that I
be born in your family; so, I
came."(there was a tradition in the
family, of a great ancestral sage called
Venkavadhootha, who was looked upon as a
Guru by hundreds of villages around.)
The father felt that Sai Baba was a
Muslim, speaking through the boy and so,
he asked, "What are we to do with you?"
. Prompt came the answer; "Worship Me!"
"When?" "Every Thursday! Keep your minds
and houses pure."
One Thursday, some one challenged
Sathyanarayana and asked Him, " If you
are Sai Baba show us some proof, now!"
In the same spirit that the rustics ask
the priest of the village temple, when
he dances in ecstasy while apparently
possessed. Baba replied, " Yes, I shall"
and every one came nearer. " Place in my
hands those jasmine flowers," He
commanded. It was done. With a quick
gesture, He threw them on the floor and
said "Look." They saw that the flowers
had formed, while falling, the Telugu
letters, Sai Baba!
Raju is Virupaksha
It was then that an invitation from some
townsmen from Hospet gave an Idea to
Seshama Raju; the Deputy Inspector of
Schools, the Health officer, the
Engineer, some Municipal Councilors and
merchants, wanted that Sathyanarayana be
brought to their place. Hospet is a few
miles away from the ruins of Hampi, the
capital of the ancient Vijayanagara
Empire. Therefore, the brother caught at
the chance of a picnic, which might
improve the mental health of the boy.
The Dasara Holidays came in handy.
They alighted among the ruins. They
trudged along the roads, once lined by
jewellery shops and flower-stalls,
trodden by men and women of all the
nations of the East as well as
travellers and traders from the Middle
East and the Mediterranean-shore. They
saw the elephant stables, the Palace of
the queens, the Vijayadasami Mound, and
then went to the Vittalalnathaswami
Temple. They proceed to the stone
chariot, the monolithic Narasimha, and
the gigantic Ganapathi. Finally, they
came to the temple of Lord Virupaksha,
the patron deity of the Vijayanagara
Emperors, who protected and cherished
Hindu Culture for well nigh three
centuries from 1336 A.D. to 1635 A.D.
It was noticed that throughout the
morning, Sathya was moving among the
ruins, unaware, as in a dream; a
reverend sage, sitting in front of one
of the temples, said of him. "This boy,
believe me, is Divine." When the party
went into the temple of Virupaksha,
Sathya too went with them but he was
more interested in the height and
majesty of the Gopuram, than in the
worship at the sanctum sanctorum. He
stood outside and no one pressed him to
enter with the others. After a while,
the priest waved the flame of camphor
before the Lingam and asked the pilgrims
to see the illuminated shrine,because
the flame lit up the interior. There,
inside the shrine, they saw to their
utter amazement, Sathya! He was standing
in place of the Lingam, smiling and
erect, accepting their pranams.
Everything about the 'boy' was so
thrilling and unexpected that Seshama
Raju wanted to verify whether he had not
actually strayed into the shrine,
evading everybody's notice. So, he
hurried outside to find Sathya leaning
on a wall, staring at the horizon!
The amazement of the members of the
party can better be imagined than
described. They did special Puja for Him
that day, though it was not a Thursday,
for their faith in Him as a
Manifestation was confirmed. Hospet was
on the toes of expectation and
excitement. The story that He was seen
as Virupaksha had spread to that town
also, long before they reached it. The
next day, Thursday, Sathya, as Sai Baba,
cured a chronic tuberculosis patient by
His touch and made him get up and walk a
mile; He 'took' a variety of articles
for the devotees and the enthusiasm of
the people knew no bounds. Bhajan and
Namasankirtan continued far into the
night, for no one was in a mood to stop.
The Mission Begins
On the 20th day of October, 1940, the
day after they all returned from Hampi
by special bus, Sathyanarayana started
for school as usual. The excise
Inspector of the place, Sri Anjaneyulu
who was very much attached to the little
Baba, accompanied Him, as far as the
school gate and went home, rather
reluctantly. He seemed to see a superb
halo, round the face of Baba that day
and he could not take his eyes away from
the enchantment. Within a few minutes,
Baba too turned back to the house.
Standing on the outer doorstep, he cast
aside the books He was carrying and
called out, " I am no longer your
Sathya." "I am Sai". The sister-in-law
came from the kitchen and peeped out;
she was almost blinded by the splendour
of the halo, which she saw around Baba's
head! She closed her eyes and shrieked.
Baba addressed her, " I am going; I
don't belong to you; Maya has gone; My
Bhaktas are calling Me; I have My Work;
I can't stay any longer." And, so
saying, He turned back and left in spite
of her pleadings. The brother hurried
home on hearing all this; but, Baba only
told him, "Give up all your efforts to
'cure' Me; I am Sai; I do not consider
Myself related to you". Neighbour Sri
Narayana Sastri heard the noise; he
listened and realised that it was
something serious; he ran in; he saw the
splendour of the 'halo' and fell at
Baba's feet. He too heard the Historic
Declaration, "Maya has left; I am going;
My work is waiting."
Seshama Raju was nonplussed; he could
scarcely collect his wits to meet his
new situation. A boy, just fourteen,
talking of Bhaktas, Work, Maya and the
Philosophy of Belonging! He could think
of only one plan: the parents entrusted
Sathya to him and it was therefore his
task to inform them; Sathya could leave
the house, only after they came to
Uravakonda.
But, Sathya would not step into that
building again; He moved in into the
garden of the Excise Inspector's
bungalow, and sat on a rock, in the
midst of the trees. People came into the
garden from all direction bringing
flowers and fruits; the tope resounded
to the voices of hundreds, singing in
chorus the lines that Sathya Sai taught
them. The first prayer that He taught
them that day was, as many still
remember,
"Manasa Bhajare
Gurucharanam
Dusthara Bhava Sagara Tharanam"
"Meditate in thy mind on the Feet of
the Guru; that can take you across
the difficult sea of Samsara."
His
classmates wept when they heard that
Sathya will no longer attend school,
that He was much beyond their reach,
that His company was hereafter only for
those upon whom He showers His Grace.
Many came to the garden with incense and
camphor, to worship Him. Some came to
sympathise with the family, some to
congratulate them. Some came to learn
and some, alas, even to laugh!
Three days passed thus in the garden.
Three days of bhajan and namasankirtan.
A photographer came with a camera. He
wanted to remove a crude stone that was
right in front of him but Baba did not
heed to the prayer. He clicked
nevertheless and lo! as can be seen from
the picture of the photograph the stone
had become an image of Shirdi Sai Baba.
But only in the photograph, not for all
assembled there.
A few days later Baba left Uravakonda to
Puttaparthi. Soon He shifted to the
house of Karnam Subbamma who tended Him
with love and affection and welcomed all
the Bhaktas into her spacious house; she
spared no effort to make their stay
happy and comfortable.
Excerpts from Divine Discourse:
On 20th October 1990, Bhagawan Baba
recounted the events that transpired on
the day of the Declaration of
Avatarhood.
"While I was in Uravakonda, the Chairman
of Bellary, Ramaraju, came to see Swami,
who was then familiarly called "Raju".
Seeing Swami, he told Seshamaraju: "We
shall take this boy to Bellary and keep
him with us during the holidays. "He
added: "Seshamaraju: you are regarding
this lad as an ordinary boy It is not
so. The effulgence on his face and his
purity has moved my heart. There is
Divine Effulgence within him. Do not be
deluded. You may also come with him and
stay with us. From there, the Municipal
Chairman took us to Hampi. Do not
consider what I am going to say now as
something boastful or fanciful or
exaggerated. The entire party went into
the Virupaksha Temple. If I had said I
would not come with them into the
temple, others might feel angry or
offended. I said I was having
stomachache and did not wish to go into
the temple. All the members of the party
including Thammiraju went in. They were
50 or 60 persons. Ramaraju was thinking
only of God and nothing else. He
entreated me repeatedly to come with
him. I was a very small boy then. He
held my hands and pleaded, "Please,
please, come." But seeing my resolve, he
did not press me further;
Inside the temple, Arati was being
offered to the deity, but Virupaksha was
not there; only I was in the sanctum:
Seshamaraju got angry. He felt that
having refused to enter the temple, Raju
had somehow got in and stood in the
sanctum. This, he felt was sacrilege. He
could not contain his anger. But
Ramaraju did not think in that manner.
He felt that "Raju is Virupaksha and
Virupaksha is Raju".
2. 1941-1960
Old
Mandir
Karnam's House
Having declared Himself as Sai Baba, of
the Bharadwaja Gothram and the
Apasthamba Suthram, Sathyanarayana Raju
was thereafter commonly known either as
Bala Sai or Sathya Sai Baba, an
appellation which He Himself accepted.
Bhajan was done in His presence not only
on Thursday evenings, but gradually on
every day and sometimes even twice a
day, for the pilgrims who began to
arrive could not wait until the ensuing
Thursday, to pay their homage to Him. At
first, a small room eight feet by eight,
facing the road that led to the house of
Pedda Venkapa Raju was utlised as the
Bhajan Mandir, but, it could accommodate
only a dozen at most, whereas the road
too was being filled to overflow! People
came in large numbers. So the family of
the Karnam put up a shed, which was
lengthened as the months passed. Even a
tent was rigged up and some devotees who
came up from Bangalore and Anantapur
brought and pitched their own tents. The
spacious house of the Karnam was also
insufficient, because Baba insisted on
feeding all those who came to see Him,
and huge dining halls became necessary.
Baba would often say in the later years
that the grinding stone in Karnam
Subbamma's house was always busy,
preparing chutney out of the heaps of
coconuts that the pilgrims offered.
Subbamma was grinding, grinding, almost
eight hours of the day!
Very often, when the food cooked
threatened to be too small in quantity,
Baba was quietly informed and, in the
words of an old lady who was in the
Karnam's house during those months, "He
asked two coconuts to be brought; when
they were given to Him, He struck one
against the other and bot broke exactly
into halves; He then sprinkled the
coconut water on the little heaps of
rice and the vessels containing the
other items and, gave us the signal to
proceed with the task of serving all who
have come or may come, until dusk !"
The Kalpa Vriksham
During the days of the Old Mandir, Baba
generally went every evening to the
sands of the river with the devotees and
Bhajan was done mostly there, because
there was no big shed or hall where all
could be accommodated. Baba vouchsafed
to the devotees who attended these
evening Bhajans various miracles. It was
then that the tamarind tree that grows
solitarily at the crest of the hill on
the left bank of the Chitravathi, near
where the road meets it, got the
reputation of being a kalpatharu. Baba
used to take the devotees to that height
and pluck from that tree many varieties
of fruits, apple from one branch, mango
from another, orange from a third, pears
and figs from a fourth and a fifth! Of
course, as Baba says, He can make any
tree any time a kalpatharu, for He is
Himself the Kalpatharu!
He got up the rocks quick and fast, to
the surprise of everyone; indeed
sometimes He did not climb at all;
still, He could be talking to the
devotees on the sands one moment, and
hail them from near the tamarind tree,
the next. He usually helped up the older
and fatter among the devotees and when
they held His Hand, He pulled them up as
if they had no weight at all.
He would ask them, in clear commanding
voice from the top of the hill, standing
by the side of the Kalpatharu aforesaid,
"Look up and see"; and lo, they saw a
wheel of circling Light, with Baba. s
head in the center or a blinding jet of
Jyothi emanating from His forehead. Some
have seen, looking up from the sands, a
huge Shirdi Sai Baba, illuminated by a
mysterious effulgence, some have seen
Sathya Sai Baba. s face inside a
full-circled Moon and miracles like a
pillar of fire etc.
The Moharram Pirs
About this
time, Baba was approached by some
Muslims of a neighbouring village on a
matter of some importance for them.
Their ranks were reduced by a fell
disease. The worship of what are called
Pirs is traditional in these parts
during the month of Moharram, the
installation, the worship, the
ceremonial procession, the immersion,
all being celebrated by the Hindu as
well as the Muslim communities. Pirs are
the hand-shaped objects made of brass
etc. which are held sacred as mementos
of the sacrifice of Hassan and Hussein
on the memorable battlefield of Kerbela.
Baba told the Muslims who came to Him
that Pirs were being installed in their
village since hundreds of years, but
latterly the ceremony had stopped. He
asked them to continue the worship and
revealed to them that if they dig at a
certain place which He pointed out, they
would get the very Pirs which their
forefathers consecrated. They dug at the
place and the Pirs were exposed to view!
Everyone was so surprised at the objects
that none had the courage to descend and
pull the Pirs into the open. So, Baba
Himself got down the pit and took the
Pirs out. There were four of them at the
place! For many years thereafter, these
were kept at the Mandir itself, rolled
up in a mat and packed neatly. They were
issued to those villagers for the
Moharram celebrations only, and they
were being returned duly after the
functions were over.
Baba moves to the Old Mandir
With the arrival of devotees from all
around at the news of the manifestation
of Sai Baba at Puttaparthi, Baba was
busy with the cure of their physical and
mental ills. He says that even this
forms a part of His Mission, for , no
one can have the urge for spiritual
discipline when pestered by physical and
mental ills. So, many cases of chronic
illness, lunacy, hysteria, possession by
evil spirits and ghosts, etc were
brought to the presence of the Great
Healer. Persons who where worshipping
Shirdi Baba also came, out of curiosity,
to examine the new Manifestation of
their Lord. Many persuaded Baba to move
to their places and thus Baba went to
Bangalore and visited a few houses which
had contacts with Mirzapur, Kolapuram,
Pithapuram, Sandur, Madras and other
places. Some devotees came also from the
Ursu families connected with the Royal
Line of Mysore. At Bangalore, Baba .
operated. a long-standing case of
duodenal ulcer and the patient got
complete relief; the "instruments" were
all "materialised" mysteriously and so,
the stream of pilgrims increased
considerably.
All these highlighted the need for a
bigger Mandir where Baba could reside
and where the devotees could be
accommodated. This was how the Old
Mandir got planned by Thirumala Rao of
Bangalore and others in 1945. The place
selected was a little away from the
village, between the Sathyamma and the
Gopalakrishna temples, the very site on
which sheds and pandals were put up
since some years, during Dasara and
other festivals, by the Karnam family
and other devotees. The old mandir
consisted of a tin shed and a set of
rooms across a quadrangle. The tin shed
served as a shelter for the devotees,
and of the set of rooms, one was a
bedroom and the other a simple bathroom.
The mandir was the scene of many a
miracle in those earlier days.
After the completion of the building,
Baba came over from the Karnam's house
and began residing in the room to the
left of the front veranda, a small room,
about 8 feet long and 6 feet wide.
Devotees will never forget the Old
Mandiram, for Baba was always moving
right in the midst of the people there.
He composed a large number of Bhajan
songs and Kirtans which He taught them,
while there. He trained them and
corrected them on the spot, and with
great love and attention. Since the
number of devotees who were present was
not very large, Baba used to go out more
frequently, to the sands on the
riverbed, or the hills around or the
gardens across the river and while they
were engaged in cooking the feast, they
saw many miracles or signs of divinity.
The gathering of devotees increased in
number from month to month. The Old
Mandiram was found inadequate; it was
not possible to meet everyday on the
sands. The devotees felt that Baba's
room was too cramped and low. He was
being forced to live in the very midst
of noise and dust and confusion. On
festival occasions, the area around the
Mandir was too small to accommodate the
persons who came; and so, some devotees
prayed to Baba to agree to the
construction of the spacious building,
which Baba has named, 'Prasanthi
Nilayam'.
Baba's letter to his Brother
At
the early age of 14, Sri Sathya Sai Baba
revealed His future mission in a letter
written to His elder brother, Seshama
Raju:
Dated: 25 May
1947
My dear One! I
received the communication that you
wrote and sent; I found in it the
surging floods of your devotion and
affection, with the undercurrents of
doubts and anxiety. Let Me tell you
that it is impossible to plumb the
hearts and discover the natures of
jnanis, yogis, ascetics, saints,
sages and the like. People are
endowed with a variety of
characteristics and mental
attitudes; so, each one judges
according to his own angle, talks
and argues in the light of his own
nature. But, we have to stick to our
own right path, our own wisdom, and
our own resolution without getting
affected by popular appraisal.
As the proverb says, it is only the
fruit laden tree that receives the
shower of stones from passers-by.
The good always provoke the bad into
calumny; the bad always provoke the
good into derision. This is the
nature of this world. One must be
surprised if such things do not
happen.
The people too have to be pitied,
rather than condemned. They do not
know. They have no patience to judge
aright. They are too full of lust,
anger and conceit to see clearly and
know fully. So, they write all
manner of things. If they only know,
they would not talk or write like
that. We, too, should not attach any
value to such comments and take them
to heart, as you seem to do. Truth
will certainly triumph some day.
Untruth can never win. Untruth might
appear to overpower Truth, but its
victory will fade away and Truth
will establish itself.
It is not the way of the great to
swell when people offer worship, and
shrink when people scoff. As a
matter of fact, no sacred text lays
down rules to regulate the lives of
the great, prescribing the habits
and attitudes that they must adopt.
They themselves know the path they
must tread; their wisdom regulates
and makes their acts holy.
Self-reliance, beneficial activity :
these two are their special marks.
They may also be engaged in the
promotion of the welfare of devotees
and in allotting them the fruits of
their actions. Why should you be
affected by tangle and worry, so
long as I am adhering to these two?
After all, the praise and blame of
the populace do not touch the Atma,
the reality; they can touch only the
outer physical frame.
I have a Task: To foster all mankind
and ensure for all of them lives
full of Ananda. I have a Vow: To
lead all who stray away from the
straight path, again into goodness
and save them. I am attached to a
Work that I love: To remove the
sufferings of the poor and grant
them what they lack. I have a reason
to be proud, for, I rescue all who
worship and adore Me, aright. I have
My definition of the Devotion I
expect; Those devoted to Me have to
treat joy and grief, gain and loss,
with equal fortitude.
This means that I will never give up
those who attach themselves to Me.
When I am thus engaged in My
beneficial task, how can My Name be
ever tarnished, as you apprehend? I
would advise you not to heed such
absurd talk. Mahatmas do not acquire
greatness through some one calling
them so; they do not become small,
when some one calls them small. Only
those low ones who revel in opium
and ganja but claim to be unexcelled
Yogis, only those who quote
scriptural texts to justify their
gourmandry and pride, only those who
are dry-as-dust scholars exulting in
their casuistry and argumentative
skill, will moved by praise or
blame.
You must have read life-stories of
saints and Divine personages; in
those books, you must have read of
even worse falsehoods and more
heinous imputations cast against
them. This is the lot of Mahatmas,
everywhere, at all times. Why then
do you take these things so much to
heart? Have you not heard of dogs
that howl at the stars? How long can
they go on? Authenticity will soon
win. I will not give up My Mission,
nor My determination. I know I will
carry them out; I treat the honour
and dishonour, the fame and blame
that may be the consequence, with
equal equanimity. Internally, I am
unconcerned. I act but in the outer
world; I talk and move about for the
sake of the outer world and for
announcing My coming to the people;
else, I have no concern even with
these.
I do not belong to any place; I am
not attached to any name. I have no
mine or thine. I answer whatever the
name you use. I go wherever I am
taken. This is My very first vow. I
have not disclosed this to any one
so far. For me the world is
something afar, apart. I act and
move only for the sake of mankind.
No one can comprehend My Glory,
whoever he is, whatever his method
of enquiry, however long his
attempt. You can yourself see the
full Glory in the coming years.
Devotees must have patience and
forbearance. I am not concerned nor
am I anxious that these facts should
be made known; I have no need to
write these words; I wrote them,
because, I felt you will be pained
if I do not reply.
Thus, your Baba.
Mandir - Its Genesis And Growth
Baba was then a charming youth of
seventeen years. Three years earlier, he
had declared, "I am Sai Baba of Shirdi
come again for the redemption of
mankind!". In spite of the revealing
declaration, many people around him in
Puttaparthi were still sceptical about
his might and mission. One such person
was Lakshmaiah - but he had a deep love
for the divine boy. One day, Baba told
Lakshmaiah, pointing to the hillocks
south of the village, "The SAI PRAVESH
(the advent of Sai) will transform that
region into Prasanthi Pradesh (a region
of highest peace). There will rise a
BHAVAN (mansion)! Lakhs of people from
all over India, why only India, from all
over the world, will come and wait there
for SAI DARSHAN (sight of Sai)!."
Lakshmaiah expressed his doubt. Baba
asserted, "You will have to believe it
when you have to stand where we are now,
trying to catch a glimpse of me,
standing on the porch of that Bhavan".
The Bhavan that Baba spoke of on that
day is the Mandir in Prasanthi- Nilayam,
the sacred abode of the Lord in the
human form of Bhagawan Sri Sathya Sai
Baba. This Mandir is the heartthrob of
millions of people all over the world.
Sri Kasturi, the octogenarian biographer
of Baba writes about the Mandir, "It has
been the scene of countless
transformations of character,
revolutions in belief, confirmations of
faith, curing of disease, calmings of
temper, discarding of hatred, salvaging
of souls and reunions of hearts.."
Indeed, the Mandir today stands as the
symbol of the redemption of the world
through the transformation of man. This
Mandir is the nucleus of Sai's mission
of Dharmasthapana.
The majestic Mandir now stands facing
north in a compound measuring 220"X 150"
and its plinth area is a little more
than 7500 square feet. It is a Nilayam
(residence) evolved into a MANDIR
(temple). The construction of this
building in the late forties may be
described as the first manifestation of
the engineering skill of Baba! Baba was
then in his early twenties. It was felt
that the Old Mandir in the village was
too small to accommodate the growing Sai
family that gathered round its young
Master. A big building was the need of
the hour and it was raised with stone
and mortar; and Bhagawan himself was the
architect and the engineer of this
building, which he transformed into the
Mandir in 1974. Also, he was the
accountant! Baba recollects even now
with a merry twinkle in his eye how he
was doing the batwada (the weekly
-payments to labourers), getting the
signatures of the lucky recipients on
the vouchers. Others who were associated
with the construction of the Nilayam are
Sakamma (a devotee from the Coorg
District in Karnataka, who was
instrumental in the construction of the
. Old Mandir. in the village), the Raja
of Sandur (a province now in Karnataka),
Tiruvenkatam, a merchant from Bangalore
and Thirumala Iyengar, an engineer in
charge of the construction of the
Tungabhadra dam. Some curious engineers
who visited the construction site now
and then accepted the ideas of Baba,
because they found them to be better
than their own. They discovered that
Baba had a greater sense of perspective
and a finer aesthetic vision than they
had.
The story of the construction of the
building is a chain of miracles wrought
by Bhagawan's grace. The most astounding
was the transport of the huge girders
for the central prayer hall from the
railway station at Penukonda sixteen
miles away. Girders of 40 feet length
had come from Trichinopoly (now
Tiruchirapalli) to Penukonda by train.
The road from Penukonda to Bukkapatnam
was a district board road with a sandy
stream at the seventh mile and it passed
through a few villages with delicately
built houses(!) flanking the narrow road
on either side with a few acutely angled
curves. There was a track of three
miles, from Bukkapatnam to Puttaparthi
with a few dilapidated culverts and
low-level causeways and a broad expanse
of the sand of the river Chitravathi.
Then there was the task of hoisting the
heavy girders on the twenty-foot high
walls. Therefore, the engineers gave up
all hope of transporting the girders
from Penukonda to Puttaparthi and placed
before Baba some alternative proposals
for roofing the prayer hall. But Baba
did not relent.
One fine morning, the Road Transport
Officer of Anantapur district, who was a
devotee of Baba, woke up to find a
surprise in front of his house. It was a
huge crane from the Tungabhadra Dam site
that had stopped there and refused to
move forward. It had struck work! The
driver was grappling with the engine in
vain. He could not make it move. He
sought the help of the Road Transport
Officer who thought that the crane was
Baba sent(!) for transporting the
girders from Penukonda to Puttaparthi.
It was agreed that the crane would
transport the girders if it were
repaired. The R.T.O. hurried to
Puttaparthi and prayed to Baba, who
materialised some vibhuti (sacred ash)
and gave it to him. This vibhuti was
smeared on the engine and the driver was
asked to start it and lo! the crane
started moving. The surprised driver
went happily to Penukonda railway
station, lifted the girders with the
giant arms of the crane and started
towards Puttaparthi. The sight of this
giant carrying the girders was a great
surprise for the villagers who greeted
it by lining up on the roadsides. The
crane somehow passed over the culverts,
negotiated hairpin bends, lurched over
the slushes and puffed its way up the
Karnatanagapalli hill! It did not move
further, may be on seeing the broad
sheet of sand of the Chitravathi River!
Baba himself went to the crane, sat with
the driver and handled the steering
wheel. Thrilled by the touch of the
Lord, the crane moved happily to the
work spot and unloaded the girders.
Prasanthi Nilayam, the simple looking
two-storeyed building of granite was
inaugurated on 23rd November 1950, the
twenty-fifth birthday of Baba. It had a
central prayer hall flanked by rooms on
either side and corridors in the front
and behind. In addition, there was a
small portico attached to the central
portion of the corridor in the front.
The height of the prayer hall was
divided into two floors for the rooms
and the corridors linking the rooms on
either side. The Nilayam continued in
its original form with very few
modifications until 1973 when Bhagawan
Baba planned and executed the
transformation of the residence into the
temple. The building was extended on all
sides and domes were built on top of the
building. The exterior of the whole
building, the corridor and the portico
on the front and the interior of the
central prayer hall were covered with
beautiful and meaningful pieces of
sculpture of Indian tradition. These
alterations and additions changed the
very appearance of the building and gave
the structure a very majestic and sacred
appearance. All this was completed by
23rd November 1974, the day on which
Baba completed forty-eight years. On
that day, Dr. V.K Gokak, who later went
on to become the first Vice-Chancellor
of Sri Sathya Sai Institute of Higher
Learning,asked Bhagawan "Swami, your
first sixteen years were full of Leelas
(divine pranks), the second sixteen
manifested Mahimas (miracles) and at
thirty two you started Upades
(teaching). Is there any novel feature
marking the completion of forty-eight?".
Baba said, "Look around!". There it was!
Prasanthi Nilayam had (Prasanthi
Nilayamhad) become Prasanthi Mandir! The
residence, which housed the young, Sai
had become the temple with God installed
in it. The three phases - Leelas,
Mahimas and Upadesh - were fused
together in divine harmony to confer
benediction by darshan (sight) alone.
The Prasanthi Mandir is a living
testimony to the life and message of
Bhagawan Sri Sathya Sai Baba. The Mandir
speaks eloquently the divine message of
the unity of life, universal concord and
harmony through its sculptured angels,
humans and animals, feasting our eyes on
the various faces of this aesthetic
wonder. The peacocks and the snakes, the
elephants and the lions, nestling close
to each other on the facade of the
Mandir in quiet ecstasy, speak a
meaningful message to those who have
eyes to see, ears to hear and hearts to
feel. These sculptured beings on the
facade beautifully bring out the drama
of transformation and transcendence that
can occur if one sincerely strives to
sublimate oneself. The lions, elephants,
snakes and peacocks, contemptuously
dismissed by us as sub-human species,
have lifted themselves to a sublime
stature by practising maitri
(friendship), mudita (joy), karuna
(compassion) and upeksha (detachment).
The transformation of the human into the
divine is demonstrated through the
sculptures of pamara (ignorant one),
deva (angel) and hamsa (swan). The
pamara by constant striving becomes a
devata (angel) and ultimately transforms
himself into a Paramahamsa (the realised
soul) by bringing into perfection the
four noble virtues: maitri, mudita,
karuna and upeksha. The hamsa (swan),
stationed above the elephants, lions,
peacocks and snakes, climaxes the
sculptural drama of divine
transformation, for the hamsa signifies
paramahamsa (realised soul) itself. The
facade, which is the face of the Mandir,
expresses the very essence of Bhagavan's
message.
Another sculptural drama that the Mandir
unfolds is the drama of the adoration of
the divine. This sublime theme is
unfolded through the sculptures of the
sub-human and the angelic creation of
God rapturously lost in the worship of
the Lord. The sculptural figures on the
darshan mantaps (shelters built for
devotees adjacent to the compound and
facing the Mandir), for instance a pair
of nandis (bullocks) looking lovingly at
a Shivalinga (a symbol of Shiva), a pair
of lions guarding the Dharma Chakra, the
winged angels playing on the flute,
trumpet and cymbals in prayerful ecstasy
write a rich commentary on this divine
adoration. The elephants carrying
garlands to revere the Sarva Dharma
Symbol, the divine images carved on the
wooden doors of the central prayer hall
and the interview room, substantiate the
same theme. The sculptures of a pair of
swans gathering around a lotus, a pair
of deer inhaling the fragrance of
flowers and a pair of peacocks gathered
together teach us the valuable lessons
of amity and co-existence. The profusion
of sculptured flowers strewn all over
the central Prayer Hall, on the ceiling,
pillars, arches, doors and windows speak
in their own language of silence; the
flowering of the spirit as a consequence
of devotion to the divine. The kingdoms
of plant, bird, beast and angel have
been beautifully featured to
substantiate the theme of adoration of
the Lord.
The central prayer hall is a thing of
beauty, joy and wonder. The five
religious symbols, descending from top
to bottom of the walls on each side of
the altar sing silently but sweetly the
song of the unity of religions.
The life-size portraits of Shirdi Sai
Baba and Sathya Sai Baba glow with life
and light, thanks to the Divine Painter
who guided the skilled hands of the
human painter. The portrait of Shirdi
Baba, simple and austere, eyes melting
with quiet compassion, speaks of the
Brahmatatva of Bhagawan.former
incarnation. The portrait of Sri Sathya
Sai Baba, radiant,full and bewitchingly
beautiful, the eyes aglow with a merry
twinkle, speaks of the Vishnutatva of
the Avatar.
At the end of the hall is the sculpture
of Sri Krishna singing the Song
Celestial (Bhagavad Gita) to the
war-weary Arjuna against the background
of the battle of Kurukshetra. It is
significant that in the same hall
Bhagawan Sri Sathya Sai Baba delivered a
series of discourses on the Geeta
expounding the forgotten and latent
meaning of this Divine Song to the
life-weary people of the Kali age.
During those times of the divine
exposition of the Geeta, the sculptured
Krishna and the living Sai Krishna
seemed to become one, breathing melodies
eternally new. Equally significant is
the scene of the sculptured avatars,
adorning the walls of the hall, enacting
the drama, of divine descent and divine
grace for the uplift of mankind. It is
significant that all these avatars have
upraised hands in the abhaya pose,
conferring benediction on all those who
are pure at heart.
The ceiling of the Prayer Hall is
profusely strewn with sculptured flowers
of all sizes. The splendid chandeliers
hanging from beautiful lotuses make the
building an impressive blend of the
ancient and the modern. And most
meaningful, of course, is the colour
combination used inside and outside the
entire Mandir. Blue, yellow and pink are
the colours used, communicating the
message of the harmony of spirit,
intellect and heart respectively; for
blue stands for spirit, yellow for
intellect and pink for heart (love). The
rich harmony of the three does result in
Santhi and Prasanthi; and that really is
the message of the PRASANTHI MANDIR.
Adjacent to the verandah of the Prayer
Hall on the left side, are two rooms set
apart for interviews, zealously guarded
Dwarapalakas carved on the wooden doors.
On the first floor is a large portico,
adorned with silver doors. For a long
time Bhagawan used to give darshan every
day from this portico. How longingly the
people waited with bated breath for the
silver doors to open and the Lord to
give darshan! Now Baba gives darshan
from this portico only once a year, in
the early hours of Christmas Day,
accepting the prayers and supplications
of thousands of Christians who throng to
him. During that occasion, the portico
appears to fade away, leaving only Baba
before us, who becomes one with the
love, the longing and the devotion that
these seekers of Truth lovingly nourish
in their hearts and bring with them from
the far off corners of the globe.
Moreover, crowning the Mandir are three
domes gazing at the blue infinity, a
symbol of eternity.
In front of the Mandir is a circle of
greenery and amidst the greenery is the
yogic pillar with a number of rings.
These rings indicate the different
stages of yogic discipline. This yoga
leads to the unfolding of the . Lotus of
the Heart. whose petals are borne on the
top of the pillar. This is the pregnant
meaning of the yogic pillar in front of
the Mandir.
Also of equal significance is the deeper
meaning of the three gates to the Mandir
Prayer Hall. Bhagawan himself has
explained the subtle significance of
these three gates: . The first, the
outermost one that leads into the
compound, is the 'Gate of Darkness'. A
person who crosses it leaves darkness,
ignorance and inertia behind. He has
nourished the holy thought of coming to
the Presence and the spirit of darkness
and ignorance has fallen behind him.
Those who are immersed in darkness, the
Thamasic, will not even have the
curiosity to enter! Then there is a
second gate, just where the garden
around the Lotus Circle begins. There,
one is attracted by the magnificence of
the building, the electric lights, the
coloured candelabras, the hanging flower
pots, that is to say, the active and
passionate aspects which appeal to
individuals who are Rajasic, active and
passionate. Next, one comes to the very
door of the Prayer Hall, 'Gate of
wisdom', leading the Sathwic to the
Abode of Peace.
In front of this circular patch used to
be the statue of Lord Vighneswara seated
in the Abhayahasta pose (hand upraised
conferring blessings); and there, a few
yards away, a beautiful arch, the top of
it containing two winged angels carrying
the Sarva Dharma Symbol.
The arch leads to the entrance gate of
the gopuram. Speaking on the
significance of the gopuram, Bhagawan
himself made the following pregnant
statement, "If you dwell upon the
significance of the gopuram, you can
realise how holy, how mysterious, how
revealing is its purpose. The gopuram
beckons to wayfarers who have lost their
way and who wander away from truth, 'O
ye mortals! Blinded by the fog of
physical attachments and
self-aggrandizing urges, overcome by the
miasma of worldly desires, which are
fleeting and false, you have forgotten
Me, the source and sustenance of you
all. Look up to this eternal, ever pure,
over-full tower of joy. Forgetting Me,
you are wallowing in grief; you are
pursuing the mirage in desert sands.
Come, have faith in the Everlasting Me.
Struggle out of the darkness and enter
the realm of light, and come to the
royal road of Santhi. That is the Path
of Dharma. Come, come, O come!.
Thus does Gopala call on all, with
raised hand, from atop the Gopuras in
every village".
This is the principle underlying the
construction of Gopuras. Such high
ideals inspire these structures.This is
the true meaning, a meaning that can be
experienced and felt. The light on top
of the gopuram is the symbol of the
Light which is the refuge of all; it is
the representative of the unflickering
inner lamp, lit at the self-same Flame;
it is the Inner Illumination, gained by
merging in Hari". In consonance with
what Bhagawan Baba has said on the
significance of the- gopuram, the
gopuram of Prasanthi Nilayam beckons to
all of us to light our inner lamps to
see and experience the Light of Lights,
which Bhagawan Sri Sathya Sai Baba is.
The genesis and the growth of the Mandir
is as unique as the Avatar, whose divine
abode the Mandir is. In the hundreds of
aeons that have passed, no temple was
ever raised during the living years of
the Avatar. The Vanaras (monkeys) in the
Tretha-Yuga had the singular good
fortune of building for Sri Rama a
bridge across the waters of the Hindu
Mahasagar spanning Bharat and Sri Lanka.
In the Kali age, the naras (human)
enjoyed the unique good fortune of
building a temple for their dearest Lord
Bhagawan Sri Sathya Sai Baba. The
devotees carried brick, sand and stone
and built this aesthetic wonder, for
their own joy and for the pleasure of
their own Loving Lord.
The Prasanthi Mandir is indeed the
Living Temple for the Living God.
Sri Sathya Sai General Hospital,
Prasanthinilayam (Date Line-2 3.11.1950)
There are two hospitals run by the Sri
Sathya Sai Central Trust: one at
Prasanthinilayam and another at
Whitefield, Bangalore.
The
foundation of the Prasanthi Nilayam
hospital was laid thirty years ago on
23rd November 1954 and the hospital was
inaugurated on 4th October 1956. Many
devotees toiled to help build the
hospital by carrying stones, bricks,
cement and other articles on top of a
small hill on which it was constructed.
From the hospital, one could get a
bird's eye- view of the river
Chitravathi with the hills in the
background.
The
hospital initially had twelve beds, six
of them for confinements, according to
the needs of the time. The hospital
catered mainly to the villagers and the
devotees. The doctors and the
para-medical staff were appointed by
Swami. They worked voluntarily without
any remuneration.
Some of you may ask why there should be
a hospital here. Why should not Bhagawan
Baba cure diseases by the exercise of
his will? To this, Swami has replied,
"The question is silly, for it implies
that everything here should be done
through some miracle or in some
inexplicable manner. It also implies
that one who comes here should not fall
ill or die. For me, this is not my only
hospital. All hospitals are mine. The
hospital seems to increase faith, to
demonstrate divinity and to remove
doubt. It is Faith that matters and
which cures. The patients who come here
benefit by the spiritual vibrations that
fill the air in Prasanthi Nilayam. There
are also many who will be satisfied if
drugs are given and injections
administered. Their faith in grace is
not yet strong. So a hospital is
required for such."
Treatment both for indoor and outdoor
patients is free. Medicines, injections,
operations and deliveries are also free.
During festivals like Dasara, Sivaratri
and Swami's Birthday, special medical
camps are organised to cater to the
needs of the large number of devotees.
Doctors attending the festivals at
Prasanthi Nilayam are allowed to
participate in the camps on a voluntary
basis.
As
the demands on the hospital built in
1954 increased due to the University
Campus and the very large number of
devotees coming from far and near, the
need was felt for the construction of a
new hospital building, equipped with all
medical facilities. The foundation of
the new hospital building was laid on
23rd November, 1982 and the hospital was
inaugurated on Sivaratri Day 29th
February 1984. The hospital has
arrangements for one hundred beds with
an air-conditioned fully equipped
operation theatre, blood bank,
laboratory, intensive care unit, X-Ray
and an eye and dental unit.
Well-qualified medical and paramedical
staff have been recruited to man the
various branches of the hospital.
Sanathana Sarathi
"On
Sivarathri day in 1958, was inaugurated
the monthly magazine designed to
communicate the message of Bhagawan to
the world. He named it Sanathana
Sarathi. These two words taken together
spell the mission that Baba has taken
upon Himself. Sanathana denotes His
being the very source of all this
'becoming'. Sanathana means 'timeless,
eternal'. Baba has said that He always
was, is, and ever will be. He is
Sanathana, now limited in time and space
so that He can be availed of by us. The
Upanishads speak of embodied beings as
chariots which are drawn along by the
senses(horses) through the objective
world. Safety lies in choosing a
knowledgeable Sarathi(charioteer) and
installing him with unimpeded authority
in the chariot. By taking upon Himself
the role of the Sanathana Sarathi, Baba
has revealed that He is the Eternal
Inner Motivator in all- recognised or
unrecognized, acknowledged or ignored,
respected or slandered.
The first issue of the magazine
contained a message from Baba wherein He
spoke of the high purpose which it had
set out to fulfil: "From this day, our
Sanathana Sarathi will lead to victory
the cohorts of truth - the Vedas, the
Sastras and similar scriptures of all
faiths, against the forces of the ego
such as injustice, falsehood, immorality
and cruelty. This is the reason why it
has emerged. This Sarathi will fight in
order to establish world prosperity. It
is bound to sound the paean of triumph
when universal Ananda is achieved."
Prof. N. Kasturi was the Editor of
Sanathana Sarathi from its inception in
1958 till he attained the Divine Lotus
Feet in the year 1987."
"I got the good news pretty quick; Baba
had come to Bangalore. He was staying in
Sri Vittal Rao?s house on the 9th Cross
Road, Wilson Gardens, only five minutes
away from my residence, ?Ashoka? on the
12th cross. Knowing that there was a
possibility of His coming to His place,
I had tipped the dry cleaner, who
attended to the washing and ironing of
his door and window curtains, to inform
me as soon as he delivered the wash to
Vittal Rao. I had noticed that he had
the curtains washed and ironed as part
of house cleaning, preliminary to Baba?s
visit. When the news leaked at last, I
posted the little daughter of my
domestic help on a slab of stone facing
his house, with directions to keep watch
for a big car and an orange robe. So
within ten minutes of Baba?s stepping
into his house, Vittal Rao was amazed to
find me on his verandah! ?Wait! Wait! He
pleaded. But Baba spotted and came
towards me with His palm ready to fall
on my shoulder. ?Now, you have work at
Puttaparthi?, he said. ?A monthly
magazine will start soon. Guess! How is
it named?? He asked. I confessed I could
not delve into His will. Yet He drew out
from my reluctance a few names. ?The
Godward Path?, ?Karma Dharma?, ?Prema
Yoga?. He waved aside the titles I
suggested and announced that he had
decided to designate it as ?Sanathana
Sarathi?.
That name is a clarion call. It is the
conch of Vishnu, awakening the sleeping.
It is the drum of Siva challenging the
unruly to shed their waywardness.
?Sarathi? means ?he who holds the
reins?, ?Sanathana? means ?Eternal?. So,
that title would announce to the world
that Baba is the Omniwill, which is
moulding and manipulating, since Times
began, the wills of living beings from
the amoeba to the astronaut. ?Recognise
God as the Sarathi, yield wholeheartedly
to His direction, reach your Destination
in good shape?, was the message Baba was
conveying through that Name. I was
elated, elevated.
?This is the 32nd year of the Avataric
Career and it is time He stood forth as
the world Teacher,? I said to myself,
recalling His first public discourse
during Dasara, 1953. It was while the
Lord was the Sarathi for Arjuna that the
Bhagavad Gita was conferred on mankind
through him. The Lord is therefore known
as Partha (Arjuna) Sarathi. Baba is now
standing forth as Sanathana Sarathi ?
the Sarathi for every one, everywhere.
A few days prior to the release of the
first number of the magazine, Baba
declared before a gathering on the
Chithravathi sands, ?The Bhagavad Gita
is a guidebook, a map for the aspirant
to peace and liberation. The Lord has
installed Himself in every heart as the
charioteer. Ask Him for the proper
direction and He will answer and lead.
You can hear a Gita specially designed
for you, if you call upon the Lord?. The
?Sanathana Sarathi? was therefore
intended as the ?Bhagawan Uvacha? (Thus
saith the Lord) for a world that has
jumped the rails and is in fatal
jeopardy."-
To
be continued...
Source:
http://www.srisathyasai.org.in